White Zombie (1932)
I perceive ‘Pierre’ (Pola X) in the same way that I perceive my own life: I understand both ‘poorly’ but I’m obliged to explore them. That’s what a project is: a heavy question mark. You’re the dot under that mark and you mustn’t let it crush you.
Beyond the Black Rainbow
I like both stage and film. I think film is more rhythmical, but when nobody’s offering something, it’s a kind of emptiness, so it’s great to get back to theater. Because I feel more hidden, more secure. It’s very calm, and you’re on stage, and it’s dark, and you start with the very first line, and you don’t have to worry if the sun is there or not.